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  • Werk
    • Un Amour de../Fade Out
    • Un Amour de..
    • Noms de pays: le nom
    • Fragments d’un Discours Amoureux
    • Der Rusteloosheid /dwaaltekeningen
    • En Attendant Godot
    • How to Disappear Completely
    • Project: Ruimte Rondom in Amsterdam
  • Installaties
    • 2018 Prospects and Concepts
    • 2018 KRIJT Kunsthal KAdE
    • 2018 The world According to ch.a.r.p
    • 2018 Studio Omstand
    • 2018 BWK Advocatenkantoor, Amsterdam
    • 2018 Museum de Buitenplaats, Eelde
    • 2017 (solo) Witteveen visual Art
    • 2017 Utrecht Down Under
    • 2017 Loods 6
    • 2017 Spring of Drawings Galerie Helder
    • 2017 KuuB Kunst on Location
    • 2017 A temporary farewell show Witteveen Visual Art
    • 2016 Drawing Front Drawing Centre Diepenheim
    • 2015 Amsterdam drawing
    • 2015 End exam KABK
    • 2015 Quote me if I’m wrong
    • 2014 No One Gets Angry
    • 2013 Ego
  • Teksten
  • Artist Statement
  • CV
  • Contact/links

logo

  • Werk
    • Un Amour de../Fade Out
    • Un Amour de..
    • Noms de pays: le nom
    • Fragments d’un Discours Amoureux
    • Der Rusteloosheid /dwaaltekeningen
    • En Attendant Godot
    • How to Disappear Completely
    • Project: Ruimte Rondom in Amsterdam
  • Installaties
    • 2018 Prospects and Concepts
    • 2018 KRIJT Kunsthal KAdE
    • 2018 The world According to ch.a.r.p
    • 2018 Studio Omstand
    • 2018 BWK Advocatenkantoor, Amsterdam
    • 2018 Museum de Buitenplaats, Eelde
    • 2017 (solo) Witteveen visual Art
    • 2017 Utrecht Down Under
    • 2017 Loods 6
    • 2017 Spring of Drawings Galerie Helder
    • 2017 KuuB Kunst on Location
    • 2017 A temporary farewell show Witteveen Visual Art
    • 2016 Drawing Front Drawing Centre Diepenheim
    • 2015 Amsterdam drawing
    • 2015 End exam KABK
    • 2015 Quote me if I’m wrong
    • 2014 No One Gets Angry
    • 2013 Ego
  • Teksten
  • Artist Statement
  • CV
  • Contact/links
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Romy Muijrers

Paul van der Eerden

Chris Baaten

Ad Schouten

Romy Muijrers

Paul van der Eerden

Chris Baaten

Ad Schouten

RM; 2016 | MINIMAL